In this second type of photo, the lines are more assertive. Much more inscribed in space, the edges of the bed are immediately identifiable and the photos no longer have a vaporous appearance but much more real. The artist opted for a large square format with a black frame. A choice that confirms the gap between the first series and this one. It’s no longer a dream, Marilyn Monroe is right there in that bed, she laughs and looks at you.
